It started with Izzy Stradlin of Hollywood Rose and Tracii Guns of L.A. Guns, who lived together. L.A. Guns needed a new singer, and Stradlin suggested Axl Rose for the job — thereby marking the formation of Guns N’ Roses. The crew also included Rob Gardner on drums and Ole Beich on bass, though Beich was quickly replaced by Duff McKagan, Gardner by Steven Adler, and Guns by guitarist Slash.
The group started rehearsing and recording in anticipation of its first-ever show on March 26, 1985, at the famed Troubadour club in West Hollywood, California. Axl Rose’s aggressive and erratic behavior was both a strength and a liability for the band: it electrified crowds, but also led to fights with bandmates, managers, and public figures.
Yet the band’s presence was undeniable. It became a big deal in Hollywood’s club scene, playing spots like The Roxy and eventually signing on with Geffen Records in March 1986 with a $75,000 advance. It released an EP called Live ?!*@ Like a Suicide as it retreated to the studio to record its debut album. Mike Clink was selected to produce the album, which included tracks like “Sweet Child o’ Mine” and “Nightrain.”
The band’s debut album Appetite for Destruction was released in 1987. Though it took a full year, it reached the number-one spot on the US Billboard 200 chart thanks to the singles “Sweet Child o’ Mine,” “Paradise City,” and “Welcome to the Jungle.” Since then the album has gone on to sell 30 million copies around the world, over half of which were in the United States, which makes Appetite for Destruction the US’ best-selling debut album.
Already known for relentless touring, Guns N’ Roses stepped it up with a 16-month worldwide tour opening for Mötley Crüe, Blue Öyster Cult, Iron Maiden, Aerosmith, and Alice Cooper. Though various members had to miss runs of shows due to broken bones from fistfights, a wedding, and rehab, the tour was successful. By the end of it, Guns N’ Roses was bigger than the headlining acts.
In 1988, it released its second album, G N’ R Lies, which peaked at number two on the US Billboard 200 chart and included the hit “Patience.” This album’s success was mirrored by the band’s subsequent rise in notoriety: It was blasted for offensive lyrics, Axl Rose got into violent fights with security guards backstage, and two fans were crushed to death under a slam-dancing crowd in England. It was then called “the most dangerous band in the world.”
The band’s next release was preceded by the longest tour in rock history, the Use Your Illusion tour, which included nearly 200 dates in 27 countries. The pair of albums, Use Your Illusion I and Use Your Illusion II, came out on September 17, 1991, and debuted at the first and second spots on the US Billboard charts. Its video for “November Rain,” a popular ballad nearly nine minutes long, was one of the most expensive music videos ever made.
The next years were full of turmoil and grandiose rock and roll moments. The band released The Spaghetti Incident? and changed its lineup multiple times. By 1998, Rose and Reid were the only original members still in the band.
Guns N’ Roses’ sixth studio album, Chinese Democracy, came out in 2008 after a decade of work. It is the most expensive rock album in history and debuted on the US Billboard 200 chart at number three. After the expansive tour in promotion of the album, both McKagan and Slash returned to the band in 2016 for the Not in This Lifetime… tour, the third-highest-grossing concert tour in history.
Since then, Guns N’ Roses continues to sell out the world’s biggest venues, making history as it tours across the continents. You can catch it on its own or headlining major festivals around the world, and its recent remastered releases of Appetite for Destruction and Use Your Illusion showcase the hard rock roots that always will drive the band forward.
If the N.W.A are rap’s Sex Pistols, then Public Enemy are undoubtedly the genre’s answer to The Clash. Chuck D’s mob even go one better than Joe Strummer’s by having never released an album as soul destroying as “Cut The Crap”. That and they’re still together, stronger than ever, although that might be unfair on The Clash seeing as Strummer is, y’know, dead. Anyway, Public Enemy weren’t called “the black CNN” for nothing; they are a fiercely intelligent group and are not and have never been afraid to show it, crafting tracks that crackle with riotous fury and sheer intensity.
They’re not a group for the faint of heart or the soft of head and that’s pretty much a direct result of the groups meeting while at Adelphi University in Long Island, New York. A graphic design student and rookie rapper called Carlton Ridenhour met Hank Shocklee while they both worked at the university’s student radio station. They bonded over a shared love of hip-hop and politics, which they combined when Ridenhour, under the name Chuckie D, rapped over a beat that Shocklee made called “Public Enemy No. 1”.
The track got some radio play among other Long Island colleges, and soon the tape fell into the hands of Rick Rubin, he of Def Jam Records fame, who courted Ridenhour with the intention of signing him to Def Jam. Although he was reluctant at first, the man who would later be called Chuck D started to envision a new kind of hip-hop group, with a hard, harsh and heavy sound backed up with a political manifesto espousing total social revolution.
He knew just the people to contact as well. He enlisted Shocklee to recruit a team of producers, Norman Lee Rogers would DJ under the name Terminator X, Richard Griffin would choreograph their dance troupe “The Security Of The First World” under the name Professor Griff, and finally he recruited his old friend William Drayton to join as a fellow rapper. Drayton created the Flavor Flav persona to act as a laughing, jeering and joking counter point to Chuck D’s intense seriousness, and with that, Public Enemy was born.
Thanks to Rubin’s help, the group made their live debut opening for The Beastie Boys when they were at the peak of their popularity, on the License To Ill world tour. Come 1987, their debut album “Yo! Bum Rush The Show” was released but it wasn’t until their second album, “It Takes A Nation Of Millions To Hold Us Back” that they truly came into their own. The album sold well and even gave them a hit single in the form of “Don’t Believe The Hype”. For a time they were the world’s most dangerous band and simultaneously one of its most critically acclaimed, being the only band in the NME’s half a century history to top their albums of the year list twice and in successive years as well, with “…Nation of Millions…” and its follow up “Fear Of A Black Planet”.
Ever since then, they’ve been hailed as one of the most vital groups of all time, let alone among rap artists, and while their commercial clout might have disseminated given time their intensity, power and influence never have. They can still blow the roof off any venue they play and come highly recommended.
Axl Rose is the last of his kind; the Mike Tyson of Rock N’ Roll frontmen; an awe-inspiring combination of God-given talent with a killer edge of untamed ferocity and determination borne of a troubled childhood, leaving the young man with an appetite for destruction.
In September 2010, I flew to Paris to attend my first GNR gig. Standing at the front, the stage loomed over me. The house lights went down, the opening chords to the title track of the infamous “Chinese Democracy” played, pyrotechnics fired off… and then I saw him standing over me. After three hours of bearing witness to Axl Rose exorcising demons, I thought I had seen the greatest concert of my life. But just 24 hours later, fortune smiled upon me, and I miraculously gained entry to a semi-acoustic private show for less than 300 people. The voice which had brought an arena to its (sha-na-na-na-na-)knees the night before was overwhelming in the small garden of a club by the Arc de Triomphe.
Since then, I have seen GNR a total of 13 times, across 8 countries and 4 continents. Each and every show has had something special: the surprise appearance of bassist Duff McKagan after 17 years at a gig in London in 2010; guest appearances from GNR co-founder Izzy Stradlin at the same venue two years later; seeing Axl rock a more intimate venue at the House of Blues in Atlantic City; meeting Axl after a show in Glasgow; and fearing death while having the time of my life in a frenzied Argentinian mosh pit.
While there is a top-hat shaped hole in the current GNR line-up, over the years Axl has surrounded himself with gifted guitarists such as Richard Fortus and Bumblefoot, who trade off bluesy riffs and technical virtuosity that complement Axl’s trademark raspy growls and banshee screams.
In this post-Cobain world of irony and self-deprecation, Guns N’ Roses is your last chance to see an unabashedly bombastic and grandiose hard rock concert with a frontman whose ego is only outdone by his talent and passion.
The energy and passion behind a track like "Fight the Power" has never waned for Public Enemy. It’s over thirty (thirty!) years since Chuck D, Flavor Flav and co emerged from Long Island, NYC with a righteous anger that fuelled incredible and pioneering albums like 'Yo! Bum Rush the Show' and the unforgettable 'It Takes A Nation of Millions to Hold Us Back.' With an influence that stretches beyond the world of rap and hip hop, Public Enemy have continued to release records with an admirable regularity and they also tour and play live with a consistency that few of their peers ever managed. With DJ Lord still taking care of decks and Professor Griff acting as crowd co-ordinator it’s left to Flavor and his clock, and of course the star of the show Chuck D to prowl the stage like he’s still a young man, spitting out the rhymes for "Bring the Noise" and "Don’t Believe the Hype" like they were brand new tracks. Of course, everyone in the crowd knows these tracks word-for-word, so there’s a communal feel to "Black Steel in the Hour of Chaos" and "911 is a Joke," not a single person missing a beat. Although it wouldn’t be PE without Flavor and Griff, the focus is always on Chuck D – his political fervour and joy at being on stage is a delight to watch, and you get the feeling he’ll be doing this for many years to come.