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Subsequent to graduating from high school in Richmond, Virginia, Aimee Mann moved to Boston, Massachusetts, U.S. and enrolled at the Berklee College of Music. She didn’t stay long however and soon found herself in the Boston punk band The Young Shakes, who released the EP “Bark Along with The Young Shakes” in 1983. The same year the singer founded the new wave band ’Til Tuesday with classmate any boyfriend Michael Hausman. The band released three studio albums “Voices Carry” in 1985, featuring the title track which earned the MTV Video Music Award for Best New Artist, “Welcome Home” in 1986, and “Everything’s Different Now” in 1988.
’Til Tuesday broke up in 1990 when Mann departed to pursue a solo career, which resulted in the 1993 debut album “Whatever”. The album earned a host of critical praise despite not fairing considerably well commercially, and brought the singer back into the minds of music fans. After battling with her label to be freed of her contract, Mann’s subsequent album “I’m with Stupid” was the last to be released through Geffen Records in 1995. The album was received with much the same critical and commercial response as the first, and gave credence to the view that Mann’s songwriting ability was up there with Elvis Costello and Andy Partridge.
In 1999 the singer-songwriter won both an Academy Award and a Grammy Award for her soundtrack to the Paul Thomas Anderson film “Magnolia”, and founded her own label SuperEgo Records. Mann went on to release the full-length album “Bachelor No. 2” in the spring of 2000, succeeded by the self-released album “Lost in Space” in 2002. In 2004 the CD/DVD “Live at St. Ann’s Warehouse” was released documenting her summer tour, and was followed by highly acclaimed concept album “Forgotten Arm” in 2006.
After releasing the Christmas album “One More Drifter in the Snow” in 2006 and the full-length “@#%&! Smilers” in 2008, Mann receded from the spotlight, working on a musical for “Forgotten Arms”, though had a small but memorable cameo appearance on the TV show “Porlandia”. In 2012 the singer-songwriter returned to release her first album in four years “Charmer”, produced by Paul Bryan.
Few artists command a more dedicated fanbase than does Aimee Mann. Since starting her solo career in the mid-1990s, the former Til Tuesday lead singer has released a series of strong albums along with perhaps her best known turn with the song “Save Me” in the movie Magnolia.
Her shows, which feature her leading a crack four-piece band through her observational and sardonic tales of disillusionment, offer almost note perfect versions of her song catalog. Occasionally the band will step back and Mann will even perform one of her songs accompanied by only her acoustic guitar. The effect is equal parts haunting and intense. Lest the mood become too serious, Mann uses her self-deprecating wit and talent for stage banter to keep the audience riveted to her shows.
For the past year, Mann has been working with indie rock superstar Ted Leo, with the duo releasing an album under the moniker of Both. Thus, Aimee Mann fans can not only hear her perform material she wrote alongside Leo, but during live shows a few of her older songs find their way onto set lists or encores.
In fact, her new material with Leo is much more upbeat than some of her previous work. Perhaps influenced by her counterpart, the material she's crafted for the Both tour possesses almost a punk-pop swagger that's refreshing and exciting to hear live.