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O2 Academy Oxford

190 Cowley Rd, OX4 1UE, Oxford, UK

www.o2academyoxford.co.uk/

Capacidad: 1,020

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Las puertas abren: 19:00

Para fans de Reggae, Indie y Alternativa, Rock, y Pop.

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Biografía de Bad Manners

Bad Manners (formed in 1976) is an English ska band, who came to fame during the early 1980s among other such ska revival bands as Madness and The Specials, hailing from London, UK.

Formed in 1976 while members were still studying together at Woodberry Down Comprehensive School in North London, Bad Manners became one of the notable ska revival bands of the ‘80s. Frontman and vocalist Buster Bloodvessel, born Douglas Trendle, joined Louis Cook on guitar, David Farren on bass, Martin Stewart on keyboard, Brain Tutti on drums, Gus Herman on trumpet, Chris Kane on saxophone, and Andrew Marson on saxophone.

Drawing inspiration from late seventies ska bands including The Specials, Bad Manners soon became a notorious act known for their novel antics and frontman Bloodvessel’s long tongue and shaved head, and who ended up getting the band banned from the UK’s Top of the Pops. In 1980 the Bad Manners signed to Magnet Records and made appearances on the TV shows “Tiswas”, “The British Music Awards” in 1981 and “Cheggers Plays Pop”.

Despite being associated with the 2 Tone movement, the band never actually signed to 2 Tone Records, although were one of six bands to feature on the legendary documentary film “Dance Craze” in 1981. The bands first three albums have all been certified silver, 1980’s “Ska ’n’ B” and “Loonee Tunes!”, and “Gosh It’s… Bad Manners” in 1981. The latter of which proved to be the band’s most popular release reaching No. 18 in the UK album chart. Following the release of their fourth album “Forging Ahead” in 1982, Bad Manners departed from Magnet Records and moved to Portrait records through which they released their 1985 album “Mental Notes”. Following the release as they did with their previous albums, Bad Manners toured continuously around the world however, due to falling sales and acclaim, decided to disband in 1987.

Bad Manners returned and subsequently released “Return of the Ugly” in 1989, “Fat Sound” in 1992, “Heavy Petting” in 1997 and “Stupidity” in 2003. Along with album releases the band has released a stack of singles, of which notable hits include “My Girl Lollipop”, “Lip Up Fatty”, “Can Can” and “Special Brew”.

Biografía de The English Beat

The English Beat, known as The British Beat in Australia and simply The Beat elsewhere, are a British ska revival band formed in Birmingham, England in 1978.

The original lineup of The Beat were together for just five years, splitting in 1984 after meeting with both critical and commercial success with their blend of ska, reggae and 2 tone. In that time, they toured with some of the biggest musical names on the planet, including R.E.M., The Specials, David Bowie, Talking Heads, The Clash and The Police. Since the breakup, they’ve performed together just once - in 2003 at London’s Royal Festival Hall. VH1’s Bands Reunited television show tried, unsuccessfully, to make the reunion a permanently going concern, but instead, the two singers from the original band - Dave Wakeling and Ranking Roger - have fronted their own versions of the group.

Wakeling is the singer in The English Beat, who have continued to tour and record. They contributed a couple of brand new songs to a Scooby-Doo cartoon in 2013, and announced plans in 2014 for a new album the following year, set to be titled For Crying Out Loud. It is set to be paid for via crowdfunding - in particular, PledgeMusic - and will be their first proper release since summer 2012, when they dropped a box set titled The Complete Beat. Rhythm Epkins, Matt Morrish, Kevin Lum and Larry Young round out the current lineup of The English Beat.

Críticas en vivo

Ska music is always great and lots of fun, but live Ska music takes it to a whole different level. Long time Ska band, Bad Manners is the perfect example of this fact. Led by Buster Bloodvessel, the 13-piece band has everything from live horns to all types of saxophones, and the liveliest amount of energy possible.
From start to finish, the show is full of almost obnoxious amounts of energy. As soon as the saxophone riff starts the crowd, as well as the band, start dancing, and its non-stop until the end. Literally everyone in the venue is having tons of fun, even if you are the most terrible dancer there. The music that they make together blends so well, but each instrumentalist maintains a bit of their own personality (ie, a blue trombone). There is an obvious chemistry between all of them, and you can tell that their happy place is when they are just jamming together. On top of that, their fans are so respectful and loving of their band, and music genre. It does not necessarily appeal to a very large group, but those that do attend the shows are “give it your all” dancers and singers.

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Ellinoinsta

Superb!! First but hopefully not the last time I see Rhoda and her fantastic band live. Support singer Emily Capell was outstanding...then Rhoda just blew me away. I didn’t know what to expect but if you haven’t seen Rhoda live before....do it! You won’t be disappointed.

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christopher-marklew

Simply put, to see The English Beat live is to experience profound happiness from the top of your pork pie hat to the tips of your checkered shoes!

From the moment Dave Wakeling and the rest of this legendary 2 Tone ska band take the stage, the dancing (“skanking!”) begins. Songs like “Save it for Later” are well-known classics but you may be surprised at just how many of their upbeat, saxophone-infused songs you’ll recognize.

Playing at smaller venues, Dave engages the audience between songs with funny stories of life in his hometown of Birmingham, England, and other witty commentary. They usually play a long set – upwards of two hours. And afterwards it’s not unusual for Dave and the band to shake hands & pose for pictures with their fans that crowd the front of the stage.

My love affair with The English Beat began in 1980 when they first toured the U.S. I went to see headliner, The Pretenders, but left the concert completely in love with the opening act, The English Beat. And you’ll fall in love, too, when you see them.

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