Jimmy Eat World

Childhood friends Jim Adkins and Zach Lind partnered with guitarist Tom Linton and bassist Mitch Porter to form the band in 1993. Under local label Wooden Blue Records Jimmy Eat World released a few singles, an EP and a self-titled album during 1993-94. The band got lucky in 1995 with a contract under Capitol Records that allowed them to release the album “Static Prevails.” For this venture, friend Rick Burch replaced Mitch Porter and drummer Mark Trombino joined the group.

In 1999, Jimmy Eat World released “Clarity” which was recorded in studios in California. The single “Lucky Denver Mint” was featured on the soundtrack of rom-com “Never Been Kissed” which elevated the band to mainstream audiences. However, the album that prompted Jimmy Eat World to worldwide fame is “Bleed American” which was put out in 2001 by DreamWorks. The single “The Middle” exploded on the airwaves and took the #5 spot on the Billboard Hot 100.

Following tremendous success with “Bleed American” Jimmy Eat World recruited producer Gil Norton (whose previous experience includes working with bands like the Pixies and Foo Fighters) to work on “Futures.” Their fourth album came out October 2004 and the single “Pain” became a hit. By this time Jimmy Eat World had toured independently to promote “Bleed American” and also in collaboration with Taking Back Sunday. In 2005 they joined forces with Green Day on a worldwide tour.

In total Jimmy Eat World has released eight studio albums both independently and under major label Interscope Records (formerly DreamWorks). The band’s name comes from a cartoon drawn by Linton’s younger brother Ed, who was making fun of their brother Jim. The drawing depicts a slab of the Earth resting on Jim’s jaw, and the rest is history. Jimmy Eat World considers punk bands Mr. T Experience, Radon and Tempe’s Horace Pinker as influences in their music.

The band should stand as living proof to punk rock purists that commercial success is not, and has never been, the same thing as selling out. Yes, the band’s sound is far more accessible today than the visceral hardcore of their early years.

However, if they were to take a cursory listen to the lyrics of any random song of theirs, they would be shocked to find that they are still as intelligent, profound and straight up angry as they ever were and this even stretches to the bands biggest hits.

Take songs like “Help Is on the Way", “Savior”, "Make It Stop (September's Children)" and “Prayer Of The Refugee” for example. These are polarising songs about difficult, yet very topical subjects that don’t shy away from taking a defined stance.

However the combined Youtube hits for those videos are, astonishingly enough, around 86 Million. This is a band that manages to plug the It Gets Better project, PETA and Amnesty International while filling arenas in their home country and large theaters and concert halls around the world.

To have a fully-fledged rock band with a message as vital as theirs playing on such a large scale the world over is a blessing that we haven’t had since the days of The Clash. With a tour schedule like theirs, it’s only a matter of time before they play wherever you are, and there are few bands out their more likely to change your life than the one and only Rise Against.

Prior to the earliest incarnation of The Get Up Kids, members Ryan Pope, Rob Pope and Jim Septic had been in a band entitled Kingpin, and Matt Pryor had been frontman in the band the Secret Decoder Ring. After the disbandment of both, The Get Up Kids were formed with Pryor on guitar and lead vocals, Septic on guitar, Rob Pope on bass, and Ryan Pope on drums. The band’s debut release was a 7-inch entitled “Shortly/The Breathing Method”, and before long The Get Up Kids became staples in the underground Midwestern music scene alongside Rocket Fuel Is The Key and Braid.

The Get Up Kids subsequently released the single “A Newfound Interest in Massachusetts”, and the EP “Woodson”. With the success of the releases, the label Doghouse signed the band for a two-album contract, the result of which was “Four Minute Mile” released in 1997. The release and subsequent tour sent ripples across the U.S. and The Get Up Kids signed a new record deal with Los Angeles-based Vagrant Records. In a collaboration with the band Coalesce’s drummer James Dewees, Matt Pryor and Rob Pope released the album “Greatest Hits 1984-1987” under the moniker Reggie and the Full Effect, before returning to the studio as The Get Up Kids.

“Red Letter Day”, a five-track EP arrived in 1998, followed by the band’s genre-defining sophomore album “Something to Write Home About”. Released on Vagrant records, the album propelled the emo genre into the mainstream, and influenced countless bands that would succeed them – with its carefully crafted melodic and introspective energy.

After releasing the album “Endora” featuring previously released material, and touring alongside the likes of Green Day, Hot Rod Circuit and Weezer, The Get Up Kids, released their third full length “On a Wire”. The album was far more minimalist than its predecessor and took the emo genre in a new and sombre direction. Followed by “Guilt Show” in 2004, and a live album “Live @ Granada Theatre” in 2005, the band decided to call it a day and played their last show at their hometown’s Uptown Theatre in July 2005. The Get Up Kids returned in 2009 to marked the 10 year anniversary of “Something to Write Home About”, and subsequently released the EP “Simple Science” and the full-length “There Are Rules”.